Axel Herman Haig and His Work Classic Reprint E A Armstrong 9781330475898 Books
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Excerpt from Axel Herman Haig and His Work
The works of few etchers have achieved a wider and more general popularity than have those of Axel Herman Haig during the thirty years that have intervened between the publication of The Vesper Bell, the earliest of his more important productions, and the present day. During this period Mr. Haig has consistently exercised his powers upon the noblest examples of architecture in England, France, Italy, and Spain, with frequent excursions into other countries, among which his native land is to be included, always selecting worthy subjects, and producing works of art that have been a source of pleasure not only to those with power to appreciate them as such, but to those also for whom familiarity with the scene depicted supplies an additional motive for acquiring an engraved representation of it.
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Axel Herman Haig and His Work Classic Reprint E A Armstrong 9781330475898 Books
I did a very positive review of the only other extensive book on this great artist, written in 1984 by Mordaunt Crook and Lennox-Boyd. This is a very different kind of book. It was written in 1905, the middle of the artist's life, so obviously it does not contain any of his later work (He died in 1921 and was active to the end). The other contains a complete list of his works and all references. This book however mentions what Haig's living room is like, his wife's feeling about his messy worktable, or how he was nearly mugged in nastier parts of Spain. It makes him very alive and vibrant. The real treasures here are the plates. They are nearly contemporary with the originals and show much of the exacting sensitivity he achieved. They show thw the delicate texture of his work, and for that reason are frequently excised and sold as works of art in their own right, even on Amazon. They are on thick unpolished paper, with the same feel as the originals. Haig's views of great cathedrals of Europe are legendary and sometimes embellish reality with fantasy, making them more appealing than old photos. The mood of his work combines mystery with fantasy with high-level draughtsmanship, getting him the epithet of the "Piranesi of the Gothic Revival." If you like old etchings of architectural subjects, Haig is hard to beat, and this book is hard to top!Product details
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Tags : Axel Herman Haig and His Work (Classic Reprint) [E. A. Armstrong] on Amazon.com. *FREE* shipping on qualifying offers. Excerpt from Axel Herman Haig and His Work The works of few etchers have achieved a wider and more general popularity than have those of Axel Herman Haig during the thirty years that have intervened between the publication of The Vesper Bell,E. A. Armstrong,Axel Herman Haig and His Work (Classic Reprint),Forgotten Books,1330475895,ARCHITECTURE General,Architecture,General
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Axel Herman Haig and His Work Classic Reprint E A Armstrong 9781330475898 Books Reviews
This book was written in 1905, when Axel Haig was achieving his level of prominence as the ultimate architectural etcher. It abounds in personal anecdotes about him by his wife and his own reports, giving the book a very human quality. We learn how he had horrible accomodations in some Spanish and Italian towns, and how messy his living room was. We also get his beautiful etchings, printed in limited editions, and the Frontispiece portrait signed by him. The reproductions more closely capture the essence of the originals than modern glossies, and have been excised and sold individually on the web. Haig created architectural masterpieces, based in reality, but wandering into fantasy, embodying all the idealization of the Victorian Gothic revival. The book is expensive, but copies do appear at varying prices depending on condition, and I feel it adds a glorious refinement to a library or etching collection.
Great book, full of helpful info. and images. Gives good background info. about Mr. Haig, and covers how his artwork evolved.
I did a very positive review of the only other extensive book on this great artist, written in 1984 by Mordaunt Crook and Lennox-Boyd. This is a very different kind of book. It was written in 1905, the middle of the artist's life, so obviously it does not contain any of his later work (He died in 1921 and was active to the end). The other contains a complete list of his works and all references. This book however mentions what Haig's living room is like, his wife's feeling about his messy worktable, or how he was nearly mugged in nastier parts of Spain. It makes him very alive and vibrant. The real treasures here are the plates. They are nearly contemporary with the originals and show much of the exacting sensitivity he achieved. They show thw the delicate texture of his work, and for that reason are frequently excised and sold as works of art in their own right, even on . They are on thick unpolished paper, with the same feel as the originals. Haig's views of great cathedrals of Europe are legendary and sometimes embellish reality with fantasy, making them more appealing than old photos. The mood of his work combines mystery with fantasy with high-level draughtsmanship, getting him the epithet of the "Piranesi of the Gothic Revival." If you like old etchings of architectural subjects, Haig is hard to beat, and this book is hard to top!
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